In order to enhance clarity and texture I chose from all four "families" in the scoring: flute, clarinet and bassoon from the winds; trumpet and trombone from the brass; percussion; as well as violin and double bass from the strings.
The first movement is a rondo that unfolds lazy, sighing gestures contrasted with full ensemble declamations often in irregular meters. The second movement is a slow, lyrical fantasy that explores plaintive gestures, color modifications (wind multi-phonics; string harmonics and tremolos) and events which might be described as "anachronistic melodic juxtapositions" (past and future motives intersect). The third movement is a march in rounded binary form that features the brass instruments and wind solos over a "boogie-woogie" walking bass line.